Ableton live 9 suite que es free.List of TCP and UDP port numbers

Learn the fundamentals of synthesis at your own pace with a powerful but easy-to-learn synthesizer that runs in your web browser. Get started making sounds. Play video: Comping. New in Live Play video: MPE. Play video: Hybrid Reverb. Hybrid Reverb. Setup See all See all Setup videos. Play video: Setting up an audio interface. Setting up an audio interface.

Setting up MIDI. Play video: Using third-party plug-ins. Using third-party plug-ins. Interface See all See all Interface videos. Play video: Session View. You can build your own from scratch using the same components. And you can even use Max to change the way Live works, including the properties of tracks, clips and scenes. Max for Live can completely change how Live interacts with all things external.

Route audio to multiple sets of speakers from your Live project. Use Live to control physical objects like motors and lights using Arduino, OSC and other technologies—there are infinite possibilities for connection and control between Live and the world surrounding it. You can share your own, or just enjoy using the work of others. Grain Scanner — Grain Scanner lets you design experimental noises, glitchy effects, alien textures and massive clouds of ambience.

Its advanced sound engine turns any sample into a blank slate for otherworldly synth parts. Give parts an expressive push and pull, fluidly transition from one time signature to another, or play with unconventional swing patterns. PitchLoop89 — Create jittery glitch effects, delayed digital shimmers and outlandish vibrato with this Max for Live pitch shifting device created in collaboration with Robert Henke and inspired by the Publison DHM 89 — an early digital effects processor.

Vector Grain — A granular looper that visualizes sound modulation by moving particles on the interface — play with attraction and magnetism or loop the particles through a flow field. Tree Tone — Grow different fractal patterns inspired by plants, then use them as resonators for internally generated noise or incoming audio.

Bouncy Notes — Bounce balls up and down a piano roll to create pitch shifting delay effects or arpeggiation with this gravity-based MIDI sequencer. Check out more Max for Live devices in the Packs store. You can use it alongside your current version of Live. Artist records and edits multiple takes of her voice and a MIDI keyboard using comping.

Live organizes multiple passes of an audio or MIDI performance into individual takes. Pick the best moments of each performance and combine them to create your perfect take. Or approach sound design in a new way by splicing together random samples from your library.

Link two or more tracks to edit their content simultaneously. This makes editing multi-tracked instruments or performances with multiple musicians easy and fast whilst keeping everything in time across tracks. This feature also works for MIDI tracks. Plug in your MPE-capable controller and immediately add bends, slides and pressure for each individual note in a chord. Add subtle expression variations, morph between chords and create evolving sonic textures.

This way of using MIDI allows MPE-capable devices to control multiple parameters of every note in real time for more expressive instrumental performances. Edit the pitch, slide and pressure envelopes of each note to refine the expression of your takes. Or take your sound design further by sequencing polyphonic sound variations. And Live comes with MPE presets for each device that bring new dimensions of interaction and playability to your sound. The new expressive possibilities also enable polyphonic aftertouch on Push.

Hybrid Reverb combines convolution and algorithmic reverbs. Place your sounds in any space, from accurate real-life environments to those that defy physical reality. Use the algorithmic side to add control and modulate the reverb tail, run it in parallel or in series with the convolution side, or play Hybrid Reverb like an instrument for real-time sound design.

Breaks the spectrum of an incoming audio signal into partials, then stretches, shifts and blurs the result by a frequency or a note in subtle or radical ways.

The MIDI sidechain input also allows musicians to process material in key and even play the device as if it were a polyphonic instrument. Select a sound to hear it with various Spectral Resonator presets:. Transforms sound into partials and feeds them into a frequency-based delay, resulting in metallic echoes, frequency-shifted and reverb-like effects. The Freeze function captures and holds a slice of audio — either free-running or in time with the beat — for stuttered, glitched and washed-out effects.

Create jittery glitch effects, delayed digital shimmers and outlandish vibrato with this Max for Live pitch shifting device created in collaboration with Robert Henke and inspired by the Publison DHM 89 — an early digital effects processor. Six playful instruments and effects created in collaboration with Dillon Bastan that use natural and physical processes as their inspiration. Vector FM — Manipulate different combinations of FM oscillators represented by moving particles — play with movement and voices to create evolving modulations and textures.

Vector Grain — A granular looper that visualizes sound modulation by moving particles on the interface — play with attraction and magnetism or loop the particles through a flow field. Vector Delay — Each visualized particle in this multitap delay device represents a different delay line — create pitch shifting or reverse delay effects with movement controlled by physical forces.

Emit — This visual granular synthesizer uses particles shooting across a spectrogram to show the grain of a sample being played, while vertical movements represent filtering and panning. Tree Tone — Grow different fractal patterns inspired by plants, then use them as resonators for internally generated noise or incoming audio.

Bouncy Notes — Bounce balls up and down a piano roll to create pitch shifting delay effects or arpeggiation with this gravity-based MIDI sequencer.

Buy Live, Push, Max for Live and Ableton merchandise | Ableton

Weave complex, evolving threads through your productions with tonal and textural samples, generative noise, multisampled instruments, plus devices and Effect Racks designed for experimentation. See all new features in Live Get all the features of Live 11 Suite free for 90 days. Get the trial. Try Live 11 free for 90 days The Live 11 Suite trial includes all the features of the full version, including saving and exporting.

Explore the features in Live Create your perfect take. Take recording and comping Live organizes multiple passes of an audio or MIDI performance into individual takes. Linked-Track Editing Link two or more tracks to edit their content simultaneously. Add more feeling to your music. Use your MPE-capable controller Plug in your MPE-capable controller and immediately add bends, slides and pressure for each individual note in a chord.

What is MPE? Learn more Show less. Note Expression View Edit the pitch, slide and pressure envelopes of each note to refine the expression of your takes. Experiment with new devices.

Select a sound to hear it with various Hybrid Reverb presets:. The balance between them can be adjusted with the blend control. Reverb Modes Reverb Modes – Five different reverb algorithms. Vintage Mode Vintage Mode – Vintage mode degrades the reverb signal to emulate the character of digital reverbs from the past.

Select a sound to hear it with various Spectral Time presets:. Play video: Watch: New devices in Live Do more on stage. Play video: A producer and drummer duo show tempo following and Macro improvements in action.

Tempo Following Live listens to and adjusts its tempo based on incoming audio in real time, making it a dynamic part of the band instead of the tempo source that everyone has to follow. Macro Variations Store the state of your Macros for later recall — perfect for creating instant variations to your sounds or builds and drops during performance.

Rack improvements Configure your Racks to have between 1 and 16 Macros. Be unpredictable. Note chance Set the probability that a note or drum hit will occur and let Live generate surprising variations to your patterns that change over time.

Velocity chance Define ranges for velocity probability for subtle, humanized variations in the dynamics of your patterns. Do more with Follow Actions Follow Actions can now be linked to the clip length, making it faster to create interesting sequences of clips. Work with new sounds. On Unix-like operating systems, a process must execute with superuser privileges to be able to bind a network socket to an IP address using one of the well-known ports. They are assigned by IANA for specific service upon application by a requesting entity.

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See also: Ephemeral port. At the same time, the subsequent adoption of the usage of as an SSL-enabled SMTP submission port, even though that the original registration did not envision that usage and despite the fact that it was registered to another service has endured. Internet Assigned Numbers Authority. Retrieved 28 March August BCP RFC Retrieved Port numbers below so-called “low numbered” ports can only be bound to by root Well-known port numbers specified by the IANA are normally located in this root-only space.

Archived from the original on November Remote Job Entry Protocol. May Echo Protocol. STD Apple published September Stream Control Transmission Protocol.

Discard Protocol. Microsoft TechNet. The default port for the wake-up transmission is UDP port 9. The ps -ef and netstat -a commands are bound to TCP ports 11 and 15, respectively.

Active Users. Daytime Protocol. Quote of the Day Protocol. Message Send Protocol. Message Send Protocol 2. Character Generator Protocol. June File Transfer Protocol specification. IEN October File Transfer Protocol. STD 9. Telnet Protocol Specification. STD 8. Simple Mail Transfer Protocol. Palo Alto Networks.

Retrieved 14 September Time Protocol. Internet Name Server. July I-D opsawg-tacacs Xerox Network System”. DNS Implementation and Specification. March Assigned Numbers. January TFTP Protocol revision 2. The Internet Gopher Protocol a distributed document search and retrieval protocol.

This protocol assumes a reliable data stream; TCP is assumed. The Finger User Information Protocol. In Thomson, Martin ed.

I-D ietf-quic-transport. Clifford September When contacting a Kerberos server KDC Acknowledgements to John Kohl et al. April TCP port is reserved for hosts which implement this standard. Initially, the server host starts the Ph service by listening on TCP port The Remote User Telnet Service.

February Post Office Protocol: Version 2. This protocol assumes a reliable data stream such as provided by TCP or any similar protocol. Post Office Protocol: Version 3. Post Office Protocol – Version 3.

Johns, Michael C. Identification Protocol. Acknowledgement is given to Dan Bernstein in section 7, “Acknowledgements”, page 8. The Identification Protocol a. Authentication Server. The Authentication Server Protocol provides a means to determine the identity of a user of a particular TCP connection.

Postel, Jon ed. Simple File Transfer Protocol. Network News Transfer Protocol. NNTP specifies a protocol for the distribution, inquiry, retrieval, and posting of news articles When used via Internet TCP, the contact port assigned for this service is Acknowledgements to Internet Activities Board in section 2, “Acknowledgements”, page 4.

The Internet Message Access Protocol The BFTP program Simple Gateway Monitoring Protocol. This memo defines a simple application-layer protocol by which management information for a gateway may be inspected or altered by logically remote users. An authentication protocol entity responds to protocol messages received at UDP port on the host with which it is associated.

Pcmail is a distributed mail system providing mail service to an arbitrary number of users A protocol entity receives messages at UDP port on the host Messages which report traps should be received on UDP port for further processing. Cisco published The Open Group. Acknowledgements to Kirk Lougheed et al. Retrieved 16 March LDM Reference.

Use of the LDM requires that any host listed in its access control list be allowed a TCP connection to port on the localhost. If the localhost is behind a firewall, the firewall must allow TCP access to port Microsoft TechNet published Internet Engineering Task Force.

Historically, port was briefly registered as the “smtps” port. This registration made no sense, as the SMTP transport MX infrastructure has no way to specify a port, so port 25 is always used. As a result, the registration was revoked and was subsequently reassigned to a different service It’s and some email is still sent as cleartext”.

The Register. Situation Publishing. Brent June [1st pub. Building Internet Firewalls Second ed. ISBN WIPO published Modbus Organisation Inc. Internet X. VMware Knowledge Base. Red Hat published TCP port BIND 9’s default control channel port, On WSUS 3. Described protocol is assigned by IANA for this port, and is : standardized, specified, or widely used for such. Described protocol is not assigned by IANA for this port, but is : standardized, specified, or widely used for such.

Described protocol is assigned by IANA for this port, [2] but is not : standardized, specified, or widely used for such. Described protocol is not : assigned by IANA for this port, standardized, specified, or widely used for such. Port is reserved by IANA, [2] generally to prevent collision having its previous use removed.

In programming APIs not in communication between hosts , requests a system-allocated dynamic port [6]. Echo Protocol [10] [11]. Yes [12]. Discard Protocol [13]. Wake-on-LAN [14]. Active Users systat service [15] [16]. Daytime Protocol [17]. Previously netstat service [2] [15]. Message Send Protocol [19] [20].

Secure Shell SSH , [11] secure logins, file transfers scp , sftp and port forwarding. Telnet protocol—unencrypted text communications [11] [24].

Time Protocol [27]. Host Name Server Protocol [28]. WHOIS protocol [29] [30] [31]. Gopher protocol [42]. Finger protocol [11] [46] [47]. TorPark onion routing [ verification needed ]. TorPark control [ verification needed ]. Kerberos [11] [51] [52] authentication system. PointCast dotcom [2]. NIC host name [54]. CCSO Nameserver [57]. Authentication Service auth , the predecessor to identification protocol. Used to determine a user’s identity of a particular TCP connection.

Simple File Transfer Protocol [64]. DCE endpoint resolution. Also used by DCOM. Network PostScript print server. Quick Mail Transfer Protocol [80] [ self-published source ]. ANSI Z Unidata LDM near real-time data distribution protocol [83] [ self-published source ] [84] [ self-published source ].

Uninterruptible power supply UPS. Centro Software ERP ports. GO-Global remote access and application publishing software. Citadel , multiservice protocol for dedicated clients for the Citadel groupware system. Rexec , Remote Process Execution. Who [89]. Kinneret Technology college is located on the southern foot of the Sea of Galilee, Israel and is the largest institute to offer a degree in Sound engineering in the country.

The Sound Technology department was established in 2,, and over the past 18 years has built a reputation as a leading institute in sound tech studies in Israel. KMG Academy was established in and provides a unique form of instruction in the fields of recording arts, music production and business in the music industry.

Our hands-on training approach allows students to truly grasp concepts in a fully functioning recording studio, which includes eight recording studios, two production suites, lecture hall, and Ableton lab.

Our sole mission is to Keep Music Going and change lives in our creative community. Krishnamurthy Ramesh is an audio engineer and music producer based in Chennai, India.

Having a sharp ear for music and a passion for music technology, he has gathered invaluable experience by performing live and working in studios over the last decade. Located in Seoul, South Korea, Kukje University of Arts has been one of the most cutting edge schools focusing on applied music and music tech in the country.

Not only is she widely regarded as one of the best in the world at this job but she’s one of the only women in this male-dominated field. Laurent Bonnet has been a saxophonist with several jazz and world music artists, both in France and internationally for over fifteen years.

His interest in production and mixing led him to discover Live in , and he soon started using it on stage and in the studio for various projects, ranging from jazz to electro.

Lawrence Grey has been using Ableton Live since to produce records, DJ, and teach kids across the country how to make electronic music. His personal productions and DJ sets lean towards House and Techno, but in his educational work Lawrence has made everything from Trap to Trance. This versatility Lawrence Philip adalah seorang produser, DJ, sound designer dan pengajar yang berbasis di Jakarta, Indonesia. Lawrence adalah Ableton Certified Trainer pertama di Indonesia.

Lee Sullivan is a senior lecturer and curriculum coordinator in electronic music production, performance technology and sound design at University Centre Weston. Lenny Kiser is a producer, DJ, audio engineer, and Ableton instructor. Leo Casagrande began his career in and over the years has specialized in audio and technology courses.

Leonardo Rojas, aka PHO, has worked in the music industry for over 17 years. His eclectic style of blending musical styles has led to him producing in genres like soul, funk, hip hop and house. Minneapolis-based producer, performer and educator Leon J is a creative pioneer and a force in the electronic music community.

With over 15 years of professional experience, Leon J has produced both remixed and original music that has been featured on Beatport, Crooklyn Clan and Crack 4 DJs. Louis College of Music e produttore di musica elettronica. His teaching experience reaches almost as far back as his music-making, which began in Liam Shy is an artist, music professor, creative entrepreneur and law student.

She is a passionate Ableton Live user and educator who aims to inspire everyone to reach their full potential as musicians and live performers. The world’s first Ableton-dedicated training company, Liveschool opened in and has since expanded to teaching in-studio or online from Sydney, Berlin and Los Angeles.

Their flagship course is Produce Music and it’s developed by a team of Ableton Certified Trainers, Grammy Award-winning artists and producers. Loptimist is a critical part of the South Korean music scene, having produced hip hop musicians like Drunken Tiger and Yoon Mi Rae since More recently, he’s been collaborating with developers from across the planet to develop the Leestrument brand of Max for Live devices, performing with Italian accordionist Carmine Ioanna, and composing music for his solo albums.

Lorne is an Associate Professor at the University of Colorado Denver, teaching audio production, sound design, sequencing and mastering. He enjoys composing and performing original compositions in Live, as well as remixing various songs for live performance.

Loudon Stearns is a professor at Berklee College of Music in the Contemporary Writing and Production Department, where he specializes in composition with technology. Specific class topics include scoring to visuals, technology applications for songwriters, and composing electronic music.

Currently based in Milan, Luca has always been involved in various aspects of the electronic music world, from production, sound design and DJing, to manufacturing synthesizers and DSP research. Lucas Ramos is an audio engineer who has worked with recording and post-production since He began working with Live in while studying at SAE School of Audio Engineering and has been using it since for film scoring as well as his own music.

His lessons stand out for their focus on the latest in music and technology. Luke Warren is a producer, DJ, sound designer and passionate educator who has been using Live for well over 10 years. He has experience teaching across a variety of settings and skill levels, from private lessons to higher education. Maarten Smit started out as a hip-hop DJ in Live’s intuitive way of creating beats, loops and ideas on the fly was a perfect match for his way of producing and DJing.

Madeleine Bloom is a classically trained musician, producer, multi-instrumentalist and singer from Berlin. Since she has been running Sonic Bloom, the biggest independent online resource on all things Ableton.

Marcello Ruggiu began his career as a musician in , playing drums and making electronic music. By he had earned a degree in audio engineering. His specialty is recording — both live and in the studio — with a particular focus on electronic music production. In Marcello became an Ableton Certified Trainer and started teaching workshops alongside certified courses. Conduz aulas, consultorias e mentorias online. Marcin Staniszewski is a musician, producer and sound designer based in Warsaw, Poland.

He has been making music since he was eight, venturing into many styles and sonic territories. As a multi-instrumentalist piano, french horn, guitar, tenor saxophone , he has played in numerous bands and ensembles while studying at New York State University Mariano Trocca is a DJ, producer and the director of Arjaus. Mark Burnett lives and breathes electronic music.

As an artist, he has worked with dozens of labels and performed as a DJ and live act at events across the globe. As a teacher, he has been at the helm of dozens of music education projects, bringing a wealth of experience from working with a diversity of artists, aspiring and professional, to the table. Mark Towers is a UK-based electronic musician, developer and educator.

As well as designing courses and lecturing in Music Technology, Mark also specializes in programming and works as a developer for Isotonik Studios, where he creates unique Max for Live devices for composition, production and performance.

He has over 30 years of international studio experience and recently collaborators include artists such as Stonebridge, Richard Morel, Chris Cox. Since An experienced teacher, performer and communicator, Martin Delaney can help you take your first steps with Live, or help you build your ideal setup and start performing. Mateusz Telega started working with music and sound in and specializes in mixing, mastering, recording and digital music production.

In the field of sound creation, modular Matthew Arledge, based in his hometown of Memphis, TN, has been educating musicians on production, engineering and DJing since Serving the needs of clients by recording vocals, writing music or providing private lessons, Matthew also creates live sets for performers utilizing lights and videos.

Matt McCoy is a worship leader, songwriter and recording artist from Chicago, Illinois. He received his bachelors degree in Electronic Media from the University of Cincinnati where he studied audio production, web and multimedia design.

Matt has been using Ableton since version 4 both on stage and studio. With a history of playing in DIY Indie bands and live electronica acts, Matt Ridgway is a multi-faceted musician and educator from Melbourne, Australia.

Working with Ableton Live since version 3 in early , Matt has extensive knowledge and teaching experience with both Live and Push. Matt Tinkler is an electronic musician, audio engineer and educator from Melbourne, Australia. With a passion for sharing knowledge and a love for community, Matt provides an exciting and engaging educational experience and creates genre-fluid sonic journeys under the solo moniker Martiln. An experienced user of Ableton Live and Max for Live for many years, Maxime Dangles is crazy about performing on stage, producing, experimenting and sharing.

Max Wild is a German-born, Zimbabwean-raised multi-instrumentalist, producer, and educator whose diverse musical influences range from electronic sounds to jazz, Brazilian and Afro-pop.

She plays theremin and produces music that ranges from experimental electronic to underground techno. Under her artist name Donna Maya, she has released her music internationally on various labels. She Djs and composes turntable concerts for philharmonic orchestras, and creates contributions for soundtracks, such as the movie Kurz und Schmerzlos by Fatih Akin.

She is the first female Ableton Certified Trainer in Canada and has over fifteen years of experience in the music industry. She has also composed music for documentaries and theater plays. Melissa Uye-Parker is a British-Nigerian producer, performer and educator based in London, making music since Menno Keij discovered dance music in and has been producing electronic music using trackers, sequencers and hardware synthesizers ever since. In , he began using Ableton Live for producing in the studio and performing live on stage.

Merlyn Silva is a musician, producer and educator based in Aarhus, Denmark. Michael has been teaching Ableton Live for more than five years. His specialty is teaching Live in a way that lets students reach their creative goals, whether they are professional musicians, DJs or producers, or simply considering a new way of working. With more than ten years playing in live Since setting up and running his own recording studio in , Michael has produced and engineered a vast range of music – from guitar bands to sound art – and released his own electronic dance music on a range of labels covering Hardcore Rave to Minimal House.

Michael Hatsis aka Banginclude is a Brooklyn, New York based producer and teacher who specializes in all things Ableton. Michael cut his teeth in music with the first version of Live and continues to use it in innovative ways today. A love for electronic music that started more than 20 years ago has led Michel Sanchez-Infante to release a string of records under various guises, perform his music live internationally, and study Electronic Music Composition at the HKU in Hilversum.

Microfusa is Spain’s number one training provider in the fields of audio technology, electronic music production and DJing. Since they started, in , thousands of students have been trained at their premium-quality facilities in Madrid and Barcelona, which include up to fourteen fully equipped recording studios and post-production suites.

His productions have appeared on TV shows, DJ mix compilations and in dark, sweaty nightclubs. Mikhail Arce-Ignacio is a musician, producer and DJ. His passion for music first took on shape in his fascination with playing percussive and stringed instruments in bands. Milton Mermikides is a multi-disciplinary musician from London, UK, whose teaching and practice blends jazz, classical, popular, electronic, experimental, data-driven and global music forms in composition, improvisation, programming and performance.

For over 20 years, he has enjoyed a teaching, academic, performing and composing career, and promotes music knowledge, appreciation, cultural exchange and education for all. KxxHz is a music producer, electronic musician, songwriter, electronic live performer, DJ and educator. Misty Jones is a Nashville-based music producer and assistant professor at Middle Tennessee State University and has been an Ableton Live user since With a passion for controllerism and synthesis, Misty uses Live as a remixer, performer, sound designer and educator.

Mitch Lee is an award winning film, tv and video game composer and sound designer. Modular Music Academy specializes in contemporary music creation, with unique training programs involving music composition, production and performance, from workshops to courses to our new 1-year career plan on electronic music.

Mortimer Barten is a multi-instrumentalist, DJ and producer with a penchant for mixing and mastering. Originally from the very north of Germany, Mortimer has lived in the ancient city of Trier since Do you ever wonder how we are expected to make music in a culture so full of noise? The quick tips, sample packs, tutorials and black Friday deals are all steering us toward rationalisations that feel like progress… right? Musicians Institute MI is a college of contemporary music that offers a variety of educational programs in Hollywood, California.

MusicLab began as a recording studio in Turin in June In it organized courses for sound engineers in collaboration with learning centers accredited by the Italian Ministry of Labour and the Region of Piedmont.

Music Production Academy is an Ableton Certified Training Centre at which students from all over the world gather to develop skills in the field of electronic music production.

MPA organizes monthly Ableton workshops aside from the regular daily courses and private lessons. All of which can be followed with the latest versions of Ableton Live and Ableton gear.

Nikhil Bejai aka kneekillbee is a singer, music producer and educator with a strong passion for sharing knowledge in areas of music making and technology. He has worked as a resident producer and trainer at DJP Media, Bangalore and also offers direct one-on-one mentorship classes. A computer musician, teacher, mastering engineer and consultant, Nil is equally passionate about tech and technique, be it in the studio or on stage. Born in Bremen, Nils Hoffmann studied classical guitar and piano and is a state-certified music educator with over 20 years of teaching experience.

As one of the first Ableton Certified Trainers in Germany, Nils has been teaching the various facets of Live for over 10 years. Music production, creative songwriting, modern DJing and live show design are among the most common topics. Noah Pred has been making music in various forms for the past two decades.

Melbourne-based Olympia Henshaw draws from a wealth of touring, composition, visual design and songwriting experience. Omar “Ridiculous” Riad has been working in music production over the past eleven years. Originally an urban hip-hop producer, Ridiculous has branched out to various genres, including dubstep, glitch, house, and world music. Opentrack will accelerate your music education and career with world class online courses. Opentrack features global music industry leaders, world class musicians, companies, and universities.

With our deep connections in the music industry, we have discovered the essential skills needed to become a successful musician. Many words can be used to describe Orville Kline. When he’s not performing in front of crowds of thousands around the world, Orville finds time to share what he learned in the studio and on stage with others. Es fundador y director de ADVANCE un centro academico de formacion avanzada en tecnicas y tecnologias para la produccion musical, dj y live performance.

A multi-platinum selling producer and New Zealand Music Award-winning audio engineer, he is passionate about live performance and loves helping musicians bring their music from the studio to the stage. Pascal Oorts is a musician, producer and sound engineer with a passion for distortion, tape delays and eighties drum computers. He uses Live and Push both in the studio and on stage. Patrick Marks aka Pataphysics is a producer, multi-instrumentalist, engineer, writer and facilitator.

He applies innovative improvisation techniques within performance and production, and alternative approaches within experimental arts practice. Patty is passionate about pushing the sonic envelope of music creation and experimentation, and creating opportunities for women and non-binary folk to learn all aspects of music production using Ableton Live.

As an experienced musician and record producer, Pedro Rovetto uses Ableton Live as his main creative instrument and tool. He knows Live and Push like the back of his hand, and is very experienced in teaching music production and the creative musical process.

Percorsi Audio is a leading training center in Italy for audio pro education. Phelan Kane is a Berlin- and London-based music producer, engineer, artist, developer and educator.

For over 27 years he has been active in both the music industry and the contemporary music education sector, with a focus on electronic music and alternative bands.

His specialism is sound design and production techniques such as synthesis and sampling, alongside audio engineering, mixing, mastering, audio processing and plug-in development.

Cologne-based DJ and producer Pierce Treude has been involved in the music business since An audio engineer since , he has been working with Ableton Live since version 1 hit the market. Pierre-Antoine Grison is a French musician and producer, based near Paris. He provides a complete range of services around Live : training, consulting, custom devices design.

Point Blank offers world-class Ableton Live training from anywhere in the world, with campuses in five countries and an extensive Online School built on our award-winning Virtual Learning Environment. Courses in Ableton Live include production, composition, sound design, mixing, live performance, and more.

Poppy currently fronts and produces her project “lovescene”, and specializes in teaching workflow and bespoke creative techniques, working closely with vocalists on production. ProAudio School is a music training facility that specializes in electronic music.

Our school is an inspiring space, created to train future musicians. We offer a series of courses that help students achieve all their musical goals, regardless of their level of knowledge.

Puneesh Suri started his career as a musician in In , he moved to New York and spent three years enhancing his skills as a music producer and live performer. Currently, he produces experimental electronic music and performs live using guitars, an array of analog synthesizers and Ableton Live. Pyntago is an Ableton Certified Training Center that focuses on electronic music production courses.

The Ableton Live courses on offer range from a short four-week intro course to a full thirty-six-week course. Pyramind: music production school, creative music and audio services and online learning network. Quantize Courses specialise in teaching underground music production using Ableton Live. Our online and studio-based courses teach students how to create release-ready tracks in the genre of their choice.

Whether you are a beginner aiming to fast track your development, or an experienced producer looking to add a professional finish to your music, we have the course for you. Electronic producer and performer Rachel K Collier is a long-standing Ableton and Live enthusiast, with a strong focus on creative output and using Live as a tool to achieve musical objectives. She is known best for her multi-instrument online electronic live performances and easily digestible music production and performance tutorials.

Ramir Martinez has played guitar and sung in several bands since Ramir discovered Ableton Live in and became active producing local bands. For ten years, he Since , as a member of the band Alb or as a drummer with other artists, Raphael Jeanne has sought to create tools to build bridges between the studio and live performance. Raphael Lott is a university lecturer, music producer, jazz pianist and DJ.

He has released on internationally renowned labels and is known for his groove-based approach to modern dance music. A place known for its murky solitude, white snow, common welfare, and happy citizens.

Emerging from a colorful background in academics, entertainment, and teaching, Ras ended up on the road to music production and technology in the aftermath of his studies – and has been treading the path ever since.

His interest in learning and discovering new tools, sounds and music has led him to work in different areas, such as audio post-production, sound design, audiovisual art installations and education. He began his musical education at the age of six and in started using Live for composition, production and as a performance tool.

Record Factory is one of the best music production and sound engineering academies in east Asia, offering a week to six month courses in music production, audio engineering, and post production with high caliber facilities and top-quality instructors. Reid Strange is based in Guadalajara, Jalisco, Mexico. He gives workshops on Ableton and music production, and helps organize the Jalisco Ableton User Group. He is passionate about a wide range of musical styles and specializes in electronic music and sound design.

Reid began using Ableton Live in and has been enthusiastically sharing his knowledge ever since. He works with several musical genres and uses Ableton Live in different ways, producing, DJing and playing on stage. Reuben has played the violin, keyboards, and piano since Unit27 is a DJ, turntablist and producer based in Mexico City.

His previous work largely consists of sample based hip hop, trip hop, downtempo and various forms of electronic music. His productions span chamber music to hip hop, with one foot heavily in experimental sound design and random processes. Riccardo Giovinetto is a multidisciplinary artist based in Turin.

He is an acoustic physicist, musician curved soprano sax , composer, visual artist and teacher. He works at the juncture of sound and visual, using Ableton Live and Max 8 Jitter to create sound-reactive performance. Richard, a. Richard started off as a DJ back in , when he used to play at neighbourhood house parties. He took his multi-genre musical passion to the media in and anchored several radio and television shows Richard Graham, Ph. He has performed and presented music and art projects at festivals and conferences including Moogfest, Celtronic and the International Symposium on Electronic Art.

Ringo Lab is an academy for studying music production based in Seoul, South Korea. From analog synthesizers to digital music production, our courses cover all aspects of making music. He has also created over 80 video courses for macProVideo. Video on topics ranging from music production techniques, synthesis and software plug-in tutorials. With over a decade of music industry experience specializing in dancefloor-oriented music, Robert Koster can provide custom solutions to help you level up your sound design, mixing, arrangement, live performance and Max For Live skills, ensuring your music stands out amongst the crowd.

Rob Jones has been obsessed with music since the tender age of 7, when vocal training and local amateur productions soon led to a string of work in musical theater and opera, including Oliver in London’s West End and The Magic Flute at Glyndebourne Opera House.

Currently he hits the floors with the international live act Fem Ensemble as well as his alter ego Rjega. By running his studio Schaltraum for over two decades, Ron has gained a lot of skills and experience in producing, mixing and recording. He has worked with artists from many genres and is a strong communicator. As a producer, Rotem Ayalon creates many remixes and original tracks, mainly in the dance genre.

Ableton Live is his main instrument in the studio. He has been involved in music since the age of five and has taught music since Rumkraft is a physical space in Copenhagen, created by artists for anyone interested in learning more about music or technology.

All genres, ages, genders and nationalities are welcome. No one is too new or too experienced to join us at Rumkraft — together we grow stronger. We believe in learning by doing, at a pace where everyone can follow along, to ensure the best experience through your course. Our teaching staff and visiting industry professionals are all active musicians, passionate about their art and work. We look forward to meet you.

Ryan Ash has been DJing for more than 17 years and currently has five residencies at the top venues in Hong Kong where he has resided since He has also been creating computer-based and electronic music for around the same amount of time and has taken numerous courses through Point Blank, Berklee and other institutions and is selftaught in playing guitar and keyboards. SAE Institute was founded in and since then it has grown to become the largest educational institution on creative media in the world, with more than 50 campuses on all 5 continents.

SAE, with 53 campuses in 27 countries has been setting the global benchmark for creative media education since The curricula reflect both the educational philosophy of SAE worldwide and the realities of the multimedia industry in Mexico and Latin America. The EMP program at SAE Miami is centered around the practical techniques needed to produce a variety of music styles, including hip-hop, house, dubstep, electro, and more. SAE Institute Milan is one of the most important educational institutions in Italy for the fields of audio engineering, electronic music production, DJ techniques, digital filmmaking and 3D animation.

Creativity and Performance is at the core of our Ableton certification program. From composing for film, TV and games to performing on modular synthesizers at the Museum of Contemporary Art Chicago, he has a wide range of experience in the audio world.

Salvatore Zappala’ has been playing piano and synthesizers since the early 90s and has played in many bands rock, metal, pop, electronica, jazz and gained solid experience in sound synthesis, synth programming, and computer sequencing. Sam Mentink has been making music and DJing since the early s. Known for high-energy techno, Sam has performed across both Australasia and Europe. Like her naturally occurring namesake, Sandunes – otherwise known as Sanaya Ardeshir – plays with broad landscapes of sound.

Her sonic identity has evolved alongside her journey from piano to production. Santiago developed his skills as a controllerist in the band Quilombo Eletropical, mixing electronic music with native Latin American sounds. Knowing the ins and outs of Live, Satyam actively produces and engineers artists, jams on analog synths, and mentors students. Speed up your musical projects: learn Live and Push with SawUp.

Wir beraten und trainieren schon seit aufstrebende Musiker.